Rotterdam 2021๐Ÿ‡จ๐Ÿ‡ฟ Czech Republic

๐Ÿ‡จ๐Ÿ‡ฟ Benny Cristo will not use pre-recorded backing vocals in Rotterdam

He will take to the Ahoy stage for his first rehearsal on Monday

Having previously revealed that he will be using four backing dancers on stage, the Czech Republic’s Benny Cristo has revealed that he will not be using pre-recorded backing vocals. Back in June, the EBU announced a rule change for the 2021 contest that permits pre-recorded backing vocals to be used on stage.

In an interview with ESC Arena, Benny Cristo has confirmed that he will not be using pre-recorded backing vocals for his Eurovision 2021 performance. It is expected that many other delegations will be utilising the rule change to reduce delegation sizes in light of COVID restrictions.

In another recent interview, a podcast with Head of Delegation Kryลกtof ล รกmal, he spoke about his expectations for the contest. He stated that if the performance goes as planned, he believes a top 10 placement will be achievable this year.

About Omaga

The song is written byย Bennyย andย Filip Vlฤek, who will also join Benny Cristo on the stage at the Eurovision Song Contest 2021. Benny has also confirmed four dancers, two female and two male, will join him on the stage.

In 2020, Benny Cristo won Czech Republicโ€™s national selection in was set to represent Czech Republic with the song โ€œKemamaโ€. After the 2020 contest was cancelled, Benny was selected internally by the broadcaster ฤŒT for 2021.

Benny Cristo will perform third in the second semifinal of the Eurovision Song Contest 2021 on May 20th. He hopes to get Czech Republic to the final of the contest for the fourth time.

You can check out our full interview with Benny below:

Are you rooting for Benny? Let us know! Be sure to stay updated by following @ESCXTRA on Twitter@escxtra on Instagram and liking our Facebook page for the latest updates! Also, be sure to follow us on Spotify and YouTube to see our reactions to the news in the run up to Rotterdam!

Costa Christou

Ever since I saw Helena Paparizou's triumph at Eurovision in 2005 (at the tender age of 6), I have been crazy about Eurovision. From the regional native language bops and shrieky female-led balladry to the sophisticated avant garde pop songs and chart-friendly EDM, I love everything about this cultural phenomenon. I'm currently working as a Delivery Manager in a software development team.

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